Us 我們

飄浮身體-我們
Floating Body-Us

獲2019年度創作卓越獎
一場 90 分鐘,共四場,為期一個月。
現場行為、行為影像、現成物裝置,依場地而定。
KdMoFA 關渡美術館,臺北,臺灣,2018。

Outstanding Art Prize of School of Fine Arts 2019
90 minutes for one piece, 4 performances in 1month.
Performance, performance video, readymade installation, dimensions variable.
KdMoFA Guandu Art Museum, Taipei, Taiwan, 2018.

《上頭》

站在高處就會飛了
一躍而下
擺動四肢的同時你擁有飄浮能力
在人群中上下穿梭
努力適應窒息的溫度
看著你看著我
相互取暖
一起挑骨頭
Upper

Standing on the high ground 
then you can fly. 
Jumping down, swing legs and arms 
then you can float in the air at the same time,
so you can explore gaps between time and space. 

Shuttling in the crowd, 
trying to adapt to the suffocating temp, 	
watching you watch me, picking bones together.

此詩談著體制架構內敵對性延伸出的階層氛圍。

體制內經驗與職位差距;體制外的專業鴻溝;角色限制與責任,促成上位者為 了評而說,喋喋不休取得權威感。我以藝術場域延伸,動搖作品、藝術家、藝評、觀眾間的關係,作品從被審視調轉成審視者同時又作為被審視者,透過上下對峙混淆角色,提出誰是審判者 的矛盾。

This poem talks about the hostility atmosphere between deferent class in every institutional system. Cause by the gap between experience and position in same system, the gap between every professional system and the limitations or responsibilities of the role, these make the superior keep talking for judgment for keep their authority.

Base on the art field, I try to shake the relationship between artist, art works, art critics and viewers. The position of my work transfer from be judge to judge but also be judge at the same times. Through the role conflict and switch the role, ask who is judge?

原型 Prototype
行為意象圖  Imagery Of Performance

贊助|國立臺北藝術大學美術學院
結構施工|謝懷德
確保人員|陳宥瑋
佈展團隊|林明彥, 陳宥瑋, 許文豪
靜態攝影|鄭吉峰, 吉歐
動態攝影與剪輯|陳彥宏

Sponsor |TNUA School of Fine Arts
Construction|Hsieh Huai-Te ( Shape Studio )
Belayer, Rappelling support|Chen Yu-Wei
Exhibition Installation Team|Lin Ming-Yen, Chen Yu-Wei, Hsu Wen-Hao
Photographer|Hoek, Gio
Photography, Editor|Chen Yen-Hung

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