Up the Walll 上牆

此現地行為透過高牆設計，建構一個討論機構權力、邊界與社會階層的遊戲現場。臺灣藍領階層重要的社交與休閒零嘴－花生，成為協調權力結構的籌碼，行為者居高臨下，誘導觀眾參與、共食並丟棄廚餘，隨著食物碎屑、氣味、噪音逐漸失控並溢出展間，打破白盒子的神聖性，持續測試美術館機制與空間的公共性。現場形成多重社會結構，模糊主體與客體的界限，揭示空間權力的流動性與脆弱性。

This site-specific performance uses a high wall to create a performative game space that examines institutional power, boundaries, and social hierarchies. Peanuts, a key blue-collar snack in Taiwan, serve as tokens for negotiating power. The performer, positioned above, entices the audience to participate by sharing food and discarding leftovers. As food scraps, smells, and noise spiral out of control, disrupting the sanctity of the white cube, the museum’s framework and publicness are tested. Multiple social structures emerge within the space, blurring the boundaries between subject and object, revealing the fluidity and fragility of spatial power.