Ado Re Ble Girl’s Intrusion show 閃星女郎游擊秀

閃星女郎游擊秀
Ado Re Ble Girl’s Intrusion show

鏘條通藝術季

一場四小時，共八場，為期兩週。
行為，現成物，依場地而定。
臺北國際藝術村條通街區，臺北，臺灣，2017。

2017 Jodori Khiang – Community Artfest
4 hours for one piece, 8 performances in 2 weeks.
Performance, readymade, dimensions variable.
Taipei Artist Village and Jodori Area, Taipei, Taiwan, 2017.

參與2017年「鏘條通藝術季」，以條通街區在地文化為背景進行現地創作。 林森北路存有顯著的酒店文化，男人在酒店滿足沒有負擔的感情熱度，充斥著英雄式崇拜的視角，以及生理慾望的新鮮感，而這些酒店女人包裝精緻，帶著符合男人幻想的標準來工作，完成一場場表演。

Invited by Taipei Artist Village (TAV), participated the “2017 Jodori Khiang – Community Artfest”. Happened in Jodori District in Taipei, which was established during the Japanese Colonization Period as a high-end residential area for the elites. For local Taiwan people, Jodori District was known as Red Light District.

男性對女性的慾望投射，在特種職業裡表現極致，而真實的女性形象大家心知肚明，但這些平淡生活中的女性樣貌卻不值得男人花錢消費。 以林森北路地區為背景，行為者化身為酒店小姐的形象於街頭嬉戲，包裝自己的身體成為一種符合市場需求的商品，身著馬甲、短皮裙、高跟鞋、閃亮短洋裝等作為誘餌，吸引男性目光前來關心，並以火辣的表層包裝對應幼稚的行為表露，搭配兒歌作為背景音樂以錄音帶播放機播放，呈現外與內的形象落差，打破男性對於女性的幻想支配。

結合童年的回憶與該地的特種行業文化，並置女孩與女人的身份製造不完美的商品，透過行為瑕疵偏移消費女性的標的，重寫當地的生產流程。試圖透過游擊式的街頭行為，擾動條通區中既有的女性意象，在物化女性的世界中呈現真實與理想的差距。

In Jodori District, Women become a product, they pack themselves carefully being a “perfect present” apply “perfect service” for men, finish one and another performance. Known as Red Light District. Every time I pass the Jodori District, I can feel my body was judged by mans. Due to those uncomfortable visions from mans, I try to confuse the female figure in Jodori District. Two Performers apply a “inconsistent product” which have beautiful looks but doing housework or some childish behaviors with Taiwan children’s songs to broke the dream from men, liberate the figure of female in Linsen North Road. Trying to inspire people facing the contrast between “perfect woman” and “inconsistent woman“.